It is horrifying that we have to fight our own government to save the environment.
Ansel Adams
I have a confession to make. I love “This American Life”. Now this isn’t just a shameless plug for NPR, but before I get into my discussion on the documentary Gasland I want to touch upon what makes “This American Life” special, besides Ira Glass’ voice. “This American Life” is, simply, good radio. It is engaging, its personal, it is thought provoking, it combines artistic elements in radio with thorough research. The show lays bare the very personal stories of the individuals but retains a cool and calculated structure to guide us through the highly emotional narratives. The result, a radio piece that leaves listeners with an experience that is at once personal and educating.
This, in summary, describes my experience with Gasland.
Initially, Gasland strikes me as something that is misdirected. It has the artsy feel of cinematography major and the narrative mechanics used to set the stage are by no means revolutionary. Yet it is all effective. The narrator uses a level, almost deadpan, radio voice and when combined with the aesthetically pretty camera shots the film becomes the documentary of a journey.
But here I am, two paragraphs into my review and I haven’t even told you what Gasland is about. Josh Fox is the narrator and the muse for this film. The son of two Pennsylvanian self proclaimed hippies Josh has lived in the Pennsylvanian backwoods. Exploring the creek that runs behind his house, plucking at his banjo, and presumably learning cinematography in his ample spare time. Josh’s story begins like so many others who also live in rural areas, he receives a letter from a gas company informing him that his property sits over a large deposit of natural gas, in Josh’s case the Marcellus Shale. How large? The Marcellus Shale alone extends across the states of Pennsylvania, New York, Ohio, and West Virginia. And this isn’t the only massive deposit of natural gas in the United States.
Go google a map of natural gas deposits in the U.S., I’ll wait.
So Josh receives a letter informing him of the deposit of gas that sits under his property. The deposit that makes up the “Saudi Arabia of natural gas” and the company offers Josh over four thousand dollars per acre of land to drill for this gas. For Josh, that would have been $100,000 dollars, for a signature.
The film weaves in and out of technical descriptions about the methods used to extract natural gas from the ground, hydraulic fracturing (fondly referred to as fracking), and the personal narratives of Josh and those affected by the fracking. The film is highly personal. Josh carries it with him everywhere and there are more than a couple off center shots of him driving through the nation as he visits homes where tap water explodes into flame, the hides slough off of cattle, and meets individuals who have leased their land only to lose their sense of smell, taste, and their way of life.
What impressed me most was the level of detailed research and the accessibility of these complex and well concealed processes. The gas companies did not willingly give up any information and often times the individuals Josh interviewed did not seem to know as much about the fracking process as Josh. The film showed just how horrible and mindless the fracking process is and the clear lack of concern from the gas companies.
If I had to level one complaint at Gasland it would be that the full complexity of this issue was not explored. If you have seen the film you will understand that this film is already quite complex. But lets go back to “This American Life”. I heard a similar piece about gas drilling in the Pennsylvania area. Similar health issues were described, the burning water coming out of the tap, dying animals, contaminated water, this really is seven horsemen types of awful. But the NPR radio piece found those individuals who leased there land and were happy for the money. Throughout Gasland you wonder, how can this still be going on. When I hear that over 596 chemicals are dumped into natural drinking water supplies I don’t need to hear much more to know that this fracking cannot be good. But the money paid to landowners has divided the affected populations. A cool, quick $100,000 can turn a good neighbor into a political rival. This issue was largely ignored by Gasland and, I believe, is critical to understanding the difficulties associated with fighting the corporate exploitation of our most precious natural resource, water.
In today’s world of the occupy movement, the populist movements and the springtime of revolution it is interesting to see one individual dig deeper and do the work to uncover such well concealed information. It remains to be seen what the public can do with such knowledge.
Ansel Adams
I have a confession to make. I love “This American Life”. Now this isn’t just a shameless plug for NPR, but before I get into my discussion on the documentary Gasland I want to touch upon what makes “This American Life” special, besides Ira Glass’ voice. “This American Life” is, simply, good radio. It is engaging, its personal, it is thought provoking, it combines artistic elements in radio with thorough research. The show lays bare the very personal stories of the individuals but retains a cool and calculated structure to guide us through the highly emotional narratives. The result, a radio piece that leaves listeners with an experience that is at once personal and educating.
This, in summary, describes my experience with Gasland.
Initially, Gasland strikes me as something that is misdirected. It has the artsy feel of cinematography major and the narrative mechanics used to set the stage are by no means revolutionary. Yet it is all effective. The narrator uses a level, almost deadpan, radio voice and when combined with the aesthetically pretty camera shots the film becomes the documentary of a journey.
But here I am, two paragraphs into my review and I haven’t even told you what Gasland is about. Josh Fox is the narrator and the muse for this film. The son of two Pennsylvanian self proclaimed hippies Josh has lived in the Pennsylvanian backwoods. Exploring the creek that runs behind his house, plucking at his banjo, and presumably learning cinematography in his ample spare time. Josh’s story begins like so many others who also live in rural areas, he receives a letter from a gas company informing him that his property sits over a large deposit of natural gas, in Josh’s case the Marcellus Shale. How large? The Marcellus Shale alone extends across the states of Pennsylvania, New York, Ohio, and West Virginia. And this isn’t the only massive deposit of natural gas in the United States.
Go google a map of natural gas deposits in the U.S., I’ll wait.
So Josh receives a letter informing him of the deposit of gas that sits under his property. The deposit that makes up the “Saudi Arabia of natural gas” and the company offers Josh over four thousand dollars per acre of land to drill for this gas. For Josh, that would have been $100,000 dollars, for a signature.
The film weaves in and out of technical descriptions about the methods used to extract natural gas from the ground, hydraulic fracturing (fondly referred to as fracking), and the personal narratives of Josh and those affected by the fracking. The film is highly personal. Josh carries it with him everywhere and there are more than a couple off center shots of him driving through the nation as he visits homes where tap water explodes into flame, the hides slough off of cattle, and meets individuals who have leased their land only to lose their sense of smell, taste, and their way of life.
What impressed me most was the level of detailed research and the accessibility of these complex and well concealed processes. The gas companies did not willingly give up any information and often times the individuals Josh interviewed did not seem to know as much about the fracking process as Josh. The film showed just how horrible and mindless the fracking process is and the clear lack of concern from the gas companies.
If I had to level one complaint at Gasland it would be that the full complexity of this issue was not explored. If you have seen the film you will understand that this film is already quite complex. But lets go back to “This American Life”. I heard a similar piece about gas drilling in the Pennsylvania area. Similar health issues were described, the burning water coming out of the tap, dying animals, contaminated water, this really is seven horsemen types of awful. But the NPR radio piece found those individuals who leased there land and were happy for the money. Throughout Gasland you wonder, how can this still be going on. When I hear that over 596 chemicals are dumped into natural drinking water supplies I don’t need to hear much more to know that this fracking cannot be good. But the money paid to landowners has divided the affected populations. A cool, quick $100,000 can turn a good neighbor into a political rival. This issue was largely ignored by Gasland and, I believe, is critical to understanding the difficulties associated with fighting the corporate exploitation of our most precious natural resource, water.
In today’s world of the occupy movement, the populist movements and the springtime of revolution it is interesting to see one individual dig deeper and do the work to uncover such well concealed information. It remains to be seen what the public can do with such knowledge.

